My Favorite Television From The Pandemic Year 2020

We all had a lot more time than usual to watch television over the course of this past year. Still, this being a new golden age of the medium, I didn’t get a chance to watch all of the shows I intended to give a go. Shows like: The Good Lord Bird, The Queen’s Gambit, and season two of The Boys are still on my to-do list. The rest of this list is comprised of shows I watched and enjoyed for various reasons. They also either premiered, or primarily aired new content in this pandemic year of 2020.

First, my honorable mentions. These are the shows I really enjoyed but because of some arbitrary ruling on my part, they didn’t quite crack my top ten. In fact, list making is kind of crazy, is it not? I’ve been making lists my entire life as my anxiety riddled brain has required this action in order to function. I have lists of books to read, games to play, and movies/tv to watch. I have lists of everything media related I’ve ever consumed, ranked in some way or another. My brain depends on this level of order and websites like Letterboxd and Goodreads have been godsends to me. Anyway, here goes.

The HMs: THE HAUNTING OF BLY MANOR – I adore Mike Flanagan’s work. He’s a horror aficionado with an enormous heart. This is why he’s been the most successful adapter of Stephen King’s work. Here, he oversaw a heart wrenching ghost love story that worked on every level. TALES FROM THE LOOP – Amazon got in on some awesome sci-fi storytelling this past year. Tales is a show more admired than loved but it’s themes revolving around loss of innocence and grief dug deep. LOCKE & KEY – An adaptation of Joe Hill’s brilliant comic series hit me in just the right spot. Perfectly cast. HIGH FIDELITY – Zoe Kravitz is incredible in this show and it’s an absolute fucking travesty that Hulu canceled it after its debut season. DEVS – Alex Garland is a genius and this short series smoked the new season of Westworld in every conceivable way while covering many of the same ideas.

And now, onward.

10. PRIMAL – Genndy Tartakovsky is a masterful storyteller. Samurai Jack is an all-timer and Primal looks likely to join it’s older sibling in many hearts and minds. This show debuted it’s first five episodes over a year ago but finished it’s season one run recently. It’s about a caveman who lost his family in violent fashion and a dinosaur who lost her family in violent fashion. They team up to survive in a harsh landscape that never relents. Impressionistic to the max.

9. RAMY SEASON 2 – Hulu’s Ramy is a brilliant show. It’s eye opening and thought provoking while still being hilarious. I love every single character in this show and especially love how the show can give entire episodes to side characters without missing a beat. Truly special.

8. LOVECRAFT COUNTRY – Jonathan Majors is a fucking movie star in the making. This show is batshit crazy and tonally all over the god damn map. And I loved every second of it.

7. THE MANDALORIAN SEASON 2 – Improves on season one in every conceivable way. Great villains and even better cameos. Favreau and Filoni are rounding out an entire universe here and it’s something to behold. The Boba Fett reveal was amazing but the appearance of Ahsoka (maybe my favorite Star Wars character) had me near tears. I’m not even broaching the finale for those who’ve yet to see it.

6. LITTLE FIRES EVERYWHERE – Kerry Washington gave the performance of the past decade in this gem from Hulu. This should be required viewing for white people in order for us to see the ignorant mistakes we continue to make with anyone and everyone who doesn’t look like us.

5. WHAT WE DO IN THE SHADOWS SEASON 2 – The funniest show on television. Everything about Jackie Daytona was incredible. Colin’s power trip was insane. The ghost episode left me on the floor. The Superb Owl episode had me howling. In the end, however, Guillermo stole the show all season and finished with one hell of a shift in the power dynamic. Bravo.

4. TED LASSO – The show we all needed during quarantine. Hilarious and heartwarming in equal measure. The show is cast perfectly and written just as well. I cannot overstate the positive energy that flows from each episode of this show.

3. WOKE – The most recent show I’ve watched. Lamorne Morris is one of my favorite people to watch and listen to on camera. The dude has impeccable timing. He was easily the best on New Girl and stole the show in Game Night. (The glass tables bit still kills me to this day) Here, he’s playing a heightened version of a real person and the results are phenomenal. The show is equal in it’s delivery of jokes and it’s need to amplify racial injustice. Brilliant, BRILLIANT show.

2. HOW TO WITH JOHN WILSON – I’m a New Yorker who moved to Texas this year. I miss home more than I ever thought I would. John Wilson perfectly captures New York City and the maniacs who call it home. My wife and I binged the entire season in one afternoon and we’re dying for more as soon as possible, please and thank you.

1. DESUS & MERO – Again, these guys are on my books list and now this list for the same reason: they make me feel like home isn’t as far away as it feels. Watching these two bullshitters (like so many people I grew up with) late at night, while a little stoned and laughing my ass completely off, has been the most fun I’ve had all year. New season in a few weeks!

Annnnnnnnd dismount! We’re done. Go fight with each other on twitter. Just kidding. Stop fighting with each other.

Next week, games. Until then, love each other.

Ramy Season 2 – An American Tale

Hulu has something special on their hands with Ramy. We’re two seasons in and I don’t think anyone who has seen the show is feeling patient about a third season — we want it now. The show has created such a unique blend of comedy and drama that it’s quickly established itself as a breath of fresh air. There is nothing else quite like it, save for Atlanta. It’s in these two shows that we can better understand America, it’s failings and the great promise that it still holds.

The first two episodes of season 2 give us a sobering look at what happens when we forget about our soldiers once they’ve returned home from war. Ramy finds himself at a spiritual crossroads and he’s desperately seeking not only guidance but also affirmation that he’s a good person. He helps this soldier who at first is ignorant of the Islamic faith while also condemning the religion and its followers because of the horrors he experienced fighting overseas. Ramy brings him to the man he seeks guidance from, played by Marshala Ali. The soldier, begins to see the humanity and good spirits of these people, his new friends and ultimately decides that he wants to convert to Islam. It’s here where things get dicey. Their place of worship is under constant protest from others who are still ignorant of the teachings of Islam. The soldier cannot abide this and attacks one of the protestors. The nuance involved in creating these scenes is nothing short of extraordinary. In a few moments, Ramy has shown us all sides of the argument — presented to us for examination and hopefully introspection.

The show eschews plot in favor of digging as deep as possible into all of the characters we meet. Ramy may be the title character but we are treated to whole episodes devoted to supporting characters. The show focuses on his sister Deena, his mother Maysa, his father Farouk and even his uncle Naseem. This is an effective tool in building the world from the inside out. It expands the show’s horizons and ours as well. Deena struggles with growing up while not only being Muslim but also a young woman in a doubly hostile world. Maysa struggles with her place in life and this pull from a part of herself that so badly wants to be helpful — even when she’s being increasingly offensive. Farouk is lost for much of the season as a man who has always supported his family and now being jobless. He’s being affronted by his own brand of chauvinism and ends up being rescued by a rescue dog. Farouk’s story in particular was a real treat this season. Then we have the brash and incredibly offensive Uncle Naseem. This season reveals that Naseem is a closeted gay man which illuminates his daily outward persona as a beard of the highest order.

We root for these people to find their way and the show walks a delicate balance between maintaining what is true to oneself while changing just a little bit in order to better fit in with today’s society.

Notice how Ramy himself hasn’t even come up yet? His story of course runs throughout the season but he is so lost and nearly beyond hope. He’s suffering from undiagnosed depression while constantly trying to fill the void with either sex or pats on the back. He doesn’t just want to get better and be better but he also needs to be told that he is better. It’s tough to watch. He gets so many things right but never quite addresses his lack of stakes in anything he attempts. Ramy’s problem is that he lets himself off the hook at every turn. He’s in love with his cousin and eventually cheats on his fiancée the night before his wedding. This is all horrendously selfish but upon the end of his wedding night, having gone through with his marriage and even taking his new wife’s virginity, he decides to come clean. It’s the single most fucked up slide into wrongheadedness that Ramy has ever engaged in. Mahershala Ali, Ramy’s now father in law, shows up the next morning and brutally takes Ramy to task. He’s so overcome with grief and anger that he almost physically hits Ramy. It is a testament to his inner strength that he withholds and leaves Ramy to his own dark thoughts.

I will always applaud a story that is unafraid to take its main character to task for their failings. There’s never any room for hero worship — that train of thought breeds bad stories. Here, Ramy reels from his family’s cutting remarks, to his wife leaving, to his brutal take down at the hands of his father in law, to the even more brutal take down at the hands of his cousin. Ramy ends up alone in the abandoned, shit covered car left by the homeless soldier he tried to help earlier in the season. He’s adrift with nowhere to turn. It’s sad but deserved. I, for one, cannot wait for season 3 to see if Ramy can pull himself out of this whole he has put himself in.

Ramy provides us as American a story as can be. One full of humor and drama in equal measure, just like our own daily lives.

Next week, let’s tackle Edward Norton’s film adaptation of Motherless Brooklyn. Until then, love each other.